You’ve spent your time at Abbey Road Institute working hard and immersing yourself in all of the learning and experiences on offer, what next?
Ambitious and motivated, alumni from across our international schools are establishing themselves in the next stages of their careers in the music industry and beyond. They’re working as producers and engineers to undertaking internships and much more. The opportunities are broad, from working in studios, for a range of businesses and startups in the music and cultural sectors to setting up their own initiatives and working freelance, juggling lots of exciting and demanding projects.
After completing their studies our future Miami graduates will join a global alumni Abbey Road network including all of our alumni as well as our industry friends. This extended family are from different backgrounds and with different skill sets, they progress onto a range of careers. Brought together at the end of their study for the global graduation ceremony there are many opportunities for future collaboration and partnerships.
Raphaël Guédin studied on the part-time Advanced Diploma in Music Production and Sound Engineering at Abbey Road Institute Paris from October 2017 to September 2019. A highlight of his time at the Institute was recording band ‘Mother Vulture’ in the Gatehouse at Abbey Road Studios.
He also completed an internship at Audioscope studios, in the 15th arrondissement of Paris whilst he was studying with us. The experience turned out to be very constructive as a few days after the end of his training Raphaël was hired as an assistant at the famous studio. Find out more about Raphael here.
Leo Mendes exerce depuis sous le statut d’intermittent du spectacle. A cet égard il se produit dans plusieurs pays (France, Angleterre, Ecosse, Italie, Israël …). Il a notamment participé à l’édition portugaise de The Voice dans laquelle il est arrivée aux étapes avancées de la compétition. Il s’est notamment illustré en direct sur la chaîne portugaise par ses interprétations tant techniques que musclées. Notamment une reprise de “Whole Lotta Love” du groupe Led Zeppelin ou encore “Highway to Hell” des australiens AC/DC. Producteur, il développe aussi ses collaborations musicales au quotidien.
After graduating from our Advanced Diploma in Music Production and Sound Engineering, Gabriëlle Stok joined the team at SARM studio as an assistant engineer. She worked her way up to become an engineer, working with many artists, including Little Mix, most notably assisting on Madonna’s album, ‘Madame X.’
Whilst at SARM, her first producer cut, Koffee ft. Gunna ‘W’, was released. She is now signed under her producer name ‘GG’ to Warner/Chappell and is Grammy nominated for her work on Masego’s album ‘Studying Abroad: Extended Stay’.
Some of her highlights at SARM include working with American producer Jeff Bhasker (Kanye West, Jay Z, Mark Ronson) and engineering during his writing sessions.
After leaving SARM to work freelance, Gabi has steadily built her career as a producer, engineer, songwriter, musician and more. Discover some of Gabi’s strongest influences in the May 2024 Issue of Sound on Sound.
You can learn more about Gabrielle’s experience at SARM in her interview on our blog.
Stefan Roscovan is the first Amsterdam student graduating with distinction.
Stefan, born in a family of musicians in a small country called Moldova. He had been taking part in numerous singing competitions prior to studying at Abbey Road Institute in Amsterdam. As a result, he achieved over 20 winning trophies and toured 3 continents in countries including the USA, Germany, Switzerland, Turkey, Russia and Iraq. In 2016, he became a semi-finalist on Romania’s “The Voice” which began his journey into music production and engineering.
At the moment, Stefan works as an independent singer, songwriter, music producer, engineer and multi-instrumentalist based in London. He is the owner of the record label “Reflective Records” and works on freelance projects in mainly Amsterdam, London and Los Angeles.
“Every day spent here felt like I was better than the day before. It is beautiful to think in colours, mix with flavours and develop a unique way to listen and understand music. At Abbey Road is all about perspective and attitude. These things that are taught so well between the magical walls of the institute.”
Phoenix Manson is an artist/music producer from Melbourne. He makes Hip Hop and R&B music that infuses an old school vibe with the modern new wave sound. Having graduated at the end of 2017, Phoenix has since released WAVELENGTH – EP, with toplining by Charlotte Adelle as a result. Phoenix was also an integral part of the Beat Collective Committee. Most noteworthy, he ran the fortnightly, live streaming show on TRNSMT. He also performed at festivals and venues including Electric Relaxation, Surf Coast Arts Festival, Beat Collective Sessions and High Bias. Having moved from Melbourne to Berlin to start building a network in Europe, Phoenix is now exploring the electronic music scene. As a result of this, he is working with rappers and producing beats for their projects.
Phoenix’s creativity in unstoppable, and consequently most of his time is spent in the studio. He is constantly making new music for his own project or for other singers/rappers. Furthermore, Ableton Live is his weapon of choice. Consequently, Phoenix has grown from a bedroom producer who made music as a hobby to an audio professional. You can find out more about Phoenix on his website.
Léo Chupine trained at Abbey Road Institute Paris from January to December 2018. Following his graduation he first became an Assistant Engineer at the Studio de Meudon. This studio is particularly well known for providing two exceptional concert pianos for recording - a Steinway and a Fazioli. Léo Chupin then started work as a freelance sound engineer following his first sessions at the Studio de Meudon. He's had great recognition for his work and his innovative approach. In the second half of 2019, KR magazine selected him to be one of the "10 emeritus sound engineers" who have new ideas about the industry. The article was published in the special issue winter 2019-2020 edition.